Sunday, January 6, 2013

Day Four in Boston - Sex and Other Playground Activities

Today started off with a few synopsis critiques.  One of those was mine.  At first I did have the run and hide my head in the sand reaction and felt a little upset in the tummy, but as the day progressed, the bit of shame faded and I am actually quite eager to take a nice long look at Celestyn and Alfred and rework the story from different angles.  It would be much more interesting - for instance - if the relationship between them was of a father/son sort, or if the homosexual elements were being manifested as a twisted way to perpetuate Alfred's revenge.  I'm actually pretty damn pumped and I am reminded again of how incredibly vital and wonderful it is to participate in a workshop like this as it floods your story with new possibilities.  Does that sound too cliche?  Tough.Sure it's nice to hear from friends and family that they like your piece, but it't not helpful.  They like it as it is and are afraid to tell you, guide you, show you what it 'could' be.  I was nervous about putting such a genre chapter into the mix but now I'm very glad as it has made me question a good deal many things about my own plot based issues and shortcomings.  I know where I'm strong and I know where I 'want' to be strong and today helped to reinforce that.  There was one thing that struck me as interesting: the faculty member overseeing the workshop asked me about the homosexual element and wanted me to explain why I felt that these two men needed to be together.  It was a fair question considering the time period, setting, and history behind each of them.  However, as the day wore on, I wondered if she would have asked that if one had been a girl.  There doesn't have to be a reason if it's a man and a woman because 'sometimes people just fall in love.'  I wonder if that would have been an acceptable answer to justify a homosexual entanglement born of blood ties and sensual feedings.  Perhaps I'm over thinking this and I most likely am, but it was just something that kept buzzing around my head.  With the story the way it is now, the answer really is that they just happened to fall in love.  But there might be a much different answer in the future and so, in the end, I'm glad she asked that question.

After the workshop I attended a Graduate Lecture on raw material and active imagination.  The woman leading the lecture asked us how many of us still play and I was glad that I could raise my hand high and proud.  This bled into the idea of spontaneity and the use of our subconscious energy.  In a nutshell for a writer: this is when your characters take over!  It was a great lecture that touched on Jungian psychology as well as lucid dreaming and meditation techniques.  I learned that I am a professional day dreamer and I learned that it's natural to have the sense that the character is doing their own thing.  What that means is that you are tapping into your subconscious and allowing it to form in its own way via your character/narrator.  I like letting 'him' or 'her' take control honestly; it makes for richer characters and much more honest interpretations of the world and humanity.

I napped in the student center today and woke up to a commercial for SNHU which boasts a Creative Writing program that takes place completely online.  I cannot fully describe just how utterly horrifying it would be to have followed through with my application to Southern New Hampshire University and to not be here right now, to be stuck in my room without any notion of who my classmates and professors really are.  Anyone considering distance learning should look into low-residency as it allows for a sense of home and family and invigorates rather than frustrates the learning process.  No matter how scared and nervous I was at the thought of undertaking my MFA at Pine Manor College, I honestly can't imagine being anywhere else right now.  Sappy, I know, but I think I've already fallen in love with the program and can't wait to see familiar faces again in June.

During dinner we talked about food and sex.  It all began when a fellow writer imparted to me that eating an oyster is like taking a bite of the ocean, and it's better than sex.  This piqued my interest and it went all downhill from there.  Pretty soon we were talking about the mating habits of slugs and how binge drinking doesn't mix well with seafood.  Also we compared sex to the act of cooking wherein I decided I am premature ejaculator.  I go in, I set up the ingredients, I preheat the oven, I look around and throw up my hands and say "I"M DONE!!!"  And when I'm not prematurely ejaculating, I'm a straight-up sex slave.  Hannah has me in there cutting up onions, bell peppers, and whatever else needs mutilated and then she has me set water on to boil, start the rice, stir the batter, check the cookies, stick a toothpick in the quiche... you know, all the grunt work.  The kitchen is a very sexual and dangerous place and I don't think I'll ever be able to separate sex and cooking in my mind from here on out.  That and the fact that mussels are utterly pornographic.  Yep.

Tonight's faculty readers were wonder as per usual.  A man named Terrance Hayes did a set of poems that really sang to me.  His sensuous voice was easy on the ears and his handsome face and tall frame were very easy on the eyes.  I think I will be adding one of his poetry collections to my list of purchases.  I want to add one of Meg's as well.  The poetry is just so wonderful!  I'd forgotten how utterly gorgeous and precious this art form is to me.

7 comments:

  1. Are there going to be anymore workshops about the subconscious, playing, etc? Sounds fun! Also, something RP'ers know all about. If that subject comes up again in your classes, perhaps you could stir the pot a bit about what /other/, perhaps less pleasant things can happen when the conscious mind dips into the unconscious. :-O

    Here there be monsters! Arrrr!!! xD

    My first instinct as to why she asked the question about the homosexual relationship was that she was trying to determine if there was a 'reason' for it, or if you just like homosexual pairings. xD I guess in the world of fiction, there needs to be a reason behind a relationship as opposed to real life when things like that just happen. I suppose readers could interpret a relationship existing 'just because' as lazy writing. I'd say tough titty. An example of that is Stephen King's From a Buick 8. The whole idea behind the book is that some things just happen because they do. I rolled my eyes and deemed him to be lazy and losing his touch even though I agreed. Life works that way. Most of life works that way; it's why we go through so much of it feeling like we don't have much environmental control.

    That would make an interesting story: a person goes through life [perhaps a bit OCD]terrified of everything because it's all out of their control. Then one day [for reasons to be explained in the story?]strange coincidences begin to happen. All the lights turn green, nothing but good news comes in the mail, they make a quiet, almost unconscious wish about something small and it happens. Then the story could unwind about how all this turns boring and hellish as they seek for randomness, etc. xD

    As far as critique from friends and loved ones: You must forgive them. To be objective with a loved one is difficult [not to mention you have to live with them! Or see them often!]Actually there were a couple points of constructive criticism I wanted to point out about the synopsis you put up yesterday, but frankly I just don't feel qualified enough, that and it had to do with the character and with only a few paragraphs, there would be no way to know whether or not those elements fit in or not. But I really liked how you described the grime transference in an intimate, but smothering way. :)

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  2. And eating an oyster will /never/ be better than sex. xDDD

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  3. Much love for this:

    "That’s what the whole city is like, though, festered little pieces of the boys and girls of industry, holding hands, holding beverages, holding the door open for you. Factory residue and acid mist on every page and every strand of hair. It’s on every bite of every burger, soaked into every doughnut, pooling like oil on every piece of pizza. Sure as shit, we’re eating this city."

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    1. Auuuu! *hugs* Thank you for all the feedback and yeah I think that's the thing is that she wanted to make sure I had some plot based idea for why they would be together. And yes we did totally talk about the darker stuff that comes out of the subconscious and how writing into that can show you things about yourself that you wish you didn't know. Also! I would welcome any criticism you have. I may or may not be performing that piece at the reading - I'm thinking now of trying a more humorous piece but I'm glad that you like the intimacy of the grime and the city XD I may still end up reading that but we'll see. I don't have any humorous pieces that work in a two minute range so this will probably be it. *nods* Wow that was circuitous O_O LOL. Anyway, yes, I don't mind if you have thoughts or questions. <3 I'm coming to adore all scrutiny and accept it as vital to the process.

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  4. Well first of all I have to say it's pretty damn awesome to be writing the synopsis in first person. I absolutely suck at that, although I'm sure you've noticed from RP'ing with me, particularly with Zolf, that I can sort of morph in and out of first and third-ish. That probably doesn't make sense. xD

    The only things that really stood out to me about the piece you wrote was some of his vocabulary. When he narrates, he seems to be somewhat casual in speech, easygoing and observant in a thoughtful sort of way. Because of this, his usage of the words unctuous, eldritch and corpuscular. It's just my opinion, but considering how he seems casual in the rest of his narrative, those words don't really seem to be words he'd use in thinking or speaking in first person. If it was third person maybe. Or! If he has a dry sense of humor or a sarcastic sense of humor, he might use those words as part of a sarcastic observation. But like I said, it would be hard to say without reading more and seeing how he fleshes out.

    I hauled out a couple pieces of writing I did earlier, including the World Without End. I noticed that the archaic form of speech I was using wasn't consistent. I was aiming for a sort of King James Version speech, but I noticed I was lapsing into Tolkien-archaic a la Silmarillion. I realized that if I really want that piece to flow better, I'd have to really find one archaic style and stick with it for that particular section of the story. And then I realized just how challenging that will be. :-P

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    1. Ah but it will be rewarding! Going through and reworking your pieces I mean ^_^! Also yeah I definitely see how the casual and the formal merge a bit awkwardly. The piece is what he's written in a journal (so it's not spoken or thought but written as you read it there) and I'm still fleshing him out a bit *nods* I have to decide if he lets himself be casual in the journal or if he tries to write it all properly. He's using it as a form of therapy but he's very educated so that is definitely something I have to keep in mind as I flesh him out more. And yes! First person... wow... it's so weird but I find sometimes that I adore it LOL! It's so memoir-ish and fun but in general I very much prefer third person in reading and in writing.

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  5. Ah! Well there you go! He was writing in a journal. So it makes sense. And yeah, I prefer writing in third person. First person is very awkward for me, unless it's Zolf. I can sit there trying to think of first person narration for Gabe and all I get is silence. xD

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