Whilst perusing my external hard drive and looking for old papers from college, I stumbled across my lengthy and elaborate Philosophy Journal. I recall the many, many times I would put these entries off til the last minute and find myself rushing to the library to compose a one to two page paper, scour the internet for ideas/sources/creative quote, then print that puppy out and sprint to class. I was quite the procrastinator, but, if I do say so myself, I was a successful procrastinator. Having to think in the spur of the moment worked for journal entries because I was a great deal more honest in my assessments. Just for fun, I selected the last dated entry from the file and decided to share it here. It is not a fabulous example of my writing (note the date: I was twenty-one and probably sauced up on Bloody Mary's at the time) and there are many ideas that I touched on that I should have expanded upon or ignored completely, but I'm not going to edit it beyond the omission of unnecessary commas. I still find this overall assessment to be very relevant and I'm glad that I reminded myself of them after all this time.
Where there is a lack of higher thought and drive and creativity, we fall into baseness and become mindless proponents of the biological imperative as well as pleasure addicts. However, sexuality and sex, when used intelligently in writing, music and movies, can add volumes to plot and character. So, I suppose, were I to have written this entry nowadays, I would say that, yes, our society is in trouble, but as far as sex and creativity (specifically writing) goes: creativity can enhance the expression of sex, and sex can enhance overall creativity; but sex for sex's sake is a waste of the author's and reader's time.
Something else I want to point out is that I was fucking brilliant! I was on the ball enough to directly link emotionless promiscuity to an Apollonian society when such an idea would almost always be linked to the Dionysian end of the spectrum! Interestingly enough to note, in Apollonian ideals, sex is logistical and practical; it is exercise and stress relief. In Dionysian ideals, sex is glorified because it feels good and is addictive. In both extremes sex becomes nothing more than a means to an end and since neither extreme allows for a healthy and happy society, it can be assumed that an overall trend of emotionless sex is bad. Kind of makes you think. Maybe it's not good for the government (or other forms of propaganda) to actively seek to limit or promote sex. Maybe it would be better for us as individuals to aspire to healthy (and even creative) sex practices that lead to strong bonds and lasting attachment. I'm just saying.
I would also say that sexual energy, sexuality, and sex itself
can be very important in the creative process. There is nothing wrong with sexual pictures, sexual books, sex scenes, sexual music and freedom of sexual expression; the problem is when such things cease to be art and cease to be healthy. The problem is when these things become a hollow obsession. There is indeed a difference between art and erotica and while one may nurture more than the other, I don't know that a steady diet of either is all that beneficial to a persons full creative potential. Use sex to improve your writing; don't rely on it as your only trick in the book.
Without further ado (and scatter-brained rambling), here is my old journal entry:
Journal 4/19/05
Apollonian Sex
Amanda LaFantasie © April 2005
I have touched on the idea of our society moving toward
Apollonian in other journal entries.
Now, I am more adamant than ever that we really are approaching an
unhealthy peak. My evidence for this is
the intriguingly large margin for rebellion that we, as a society, have put
together. The main issue at hand is
sex. Sex, or sexual intercourse, or any
sexual act or fetish, used to be a second thought, rather than a first. Because the first thought was always the
advancement of the proletariat or at least a better understanding of one's
purpose within one's society or environment.
We no longer have to worry about what our place is, because laws and
regulations and social security numbers preordain our societal calling. When we lack creativity, we turn toward
sexuality. More and more, this idea of
free love and promiscuous sex creeps into movies, music, and literature, and
the overlying theme surrounding the sex is that it is no big deal.
A few books that illustrate free love and the idea
that sex is great (especially if it doesn't result in offspring) are: A
Brave New World by Aldous Huxley and The Wanting Seed by Anthony
Burgess. In Huxley's book, which shows
division of labor among the classes, promotes the idea to its characters that
"promiscuity is a citizen's duty," and that sex is a great outlet for
such hardworking citizens. But this
society also provided very elitist methods of contraceptive control, and babies
were the product of necessity to maintain balance, and were created in a
controlled environment. The Burgess
book didn't go to such lengths as to control the actual production of
children, but it did limit the number families could have, as well as monitor
people and force abortion on excessive pregnancy. Also, the book, in very much the same manner
as Aldous's book, put out propaganda messages about sex, including a statement
that homosexuality was the only way to be if one wanted society to
prosper.
I think homosexuality is great, and people finding love
with other people, is also great, but, at this point, it seems to be the only
thing we have going for us in a creative venue.
We turn everything to sex, or at least we want to. Stanley Kubrick's intent with Burgess's A
Clockwork Orange, was to show how a society stops functioning when sex is
the predominant force. Everything in the
movie (set wise) was covered in phallic and yonic symbols. I used to think that this was an
overstatement, but now I realize that what Tuff said in class was absolutely
true: when we lack creativity we turn to sexuality.
The over abundance, and supposed acceptance, of such a
sexual atmosphere in today's society is what proves that we truly have moved
into an Apollonian age.