Showing posts with label Detangled Writers. Show all posts
Showing posts with label Detangled Writers. Show all posts

Thursday, August 8, 2013

Someone to Kill; Creative Excerpt from Packet 1 - Semester 2

     “I don’t think I need to practice,” the boy said and raised an eyebrow at his mentor. “I’ve been killing since I was ten.”
     “No. You have not.” Roy Kim came around behind the boy and set a thick cloak about his shoulders.
     “Yes, I have.”
     "No, what you did in the arena was fighting. It was surviving. Today, however, you will be killing.”
     With a groan, the boy wrapped himself up in the cloak insulating himself from the bitter chill he knew awaited them outside in the night. He wiped his nose with his sleeve and muttered, “I don’t see the difference.”
     “It’s not something you can see. But you’ll feel it.” Roy Kim opened the door and gestured for his pupil to go first but the boy stepped back. Something about the dark still unsettled him. His mentor frowned, opened his mouth but closed it without saying anything. There was nothing to say. Roy pulled his own cloak tight about his chest and took off without looking back. The boy, of course, charged after him.
     Their feet crunched the freshly fallen snow as they marched to the dungeons. The boy sniffled and wiped his nose again. Every little noise seemed enlarged, even the sound of his breath. The whistle of his nostrils screamed his existence into the darkness with more effrontery than even his footfalls. He shivered, not from cold. He didn’t want the dark to know he was there. Opening his mouth wide, he breathed silently, puffing out little wisps of fog from lungs that felt half their regular size. When they reached the dungeon, the boy resisted an impulse to reach forward and grab hold of Roy Kim’s cloak. Somewhere above them a cloud shifted and let out the moon. In the silver glow, they descended together, and yet alone, down the stone and mortar steps, polished by decades of heavy and constant tread.
     At ground level, North City was modern and convenient – civilized – and hummed with the pulse of electricity, mildly in some places and fiercely in others. Down below, however, in this pit, there was nothing to speak of civilization, no lights flickering, no sweet smells that came from bottles or ovens, no hum of electricity. But sometimes there were moans. And screams.
     Though the boy had never witnessed the Keeper at work, he knew the vibration of pain and had felt it coming from this place many times. It was quiet now and still, but echoes were often quiet and still, repeating infinitely into nothing and yet never really disappearing. All the echoes of his life seemed to converge in this place and sweat formed on his cold brow.
     The dungeon was as primal as it was familiar. It was the arena sans hope. Blood and straw for a carpet, unyielding steel bars and rusted hinges, the blemish of slipshod construction and perfume of human waste, blood, decomposition. Along the wall was a table smeared with gore, a torture altar, which the Keeper had yet to clean. The boy squinted to see but there was not enough light. Large square grates situated within the earthen ceiling let in just enough moonlight to soften the darkness, but not enough to discern detail. Roy Kim lit a fire lantern and, as the room came into greater focus, the boy took note of the slender icicles dangling from the crisscrossing metal of the grates above them. Like teeth aching to bite down, they all pointed at the cells, all thirsted for the blood of the condemned. And they were stained red in the firelight.
     “Do you want to choose, or should I?” Roy Kim asked and hung the lantern from a hook that had been stuck into the wall. Whether the hook had been placed there for this purpose or for something much worse, the boy did not know.
    “It’s too cold for this,” the boy said.
     “Then choose quickly.”
     The boy let out a long sigh and stepped closer to the cells. At first he couldn’t see anything beyond a smattering of rags that somehow formed a quilt, but then he perceived the faint outlines of a body – slender, all but sexless – and the wiry tell-tale tresses of a female’s hair. White, trembling fingers tugged at the tattered blanket, higher and higher until she’d covered her face. A weird warmth surged through him and pricked his ears like needles. She was just a little girl. Or the lantern was playing a trick on him.
     “Choose.”
     “I will,” he whispered and looked down the long line of cells. The prisoners had been allotted blankets but the thin shreds did not make them any less naked in his eyes. His pupils dilated with fire and he saw arms, legs, hips, and breasts, everything alluring and frightening. For a moment he forgot Roy Kim. Forgot the icicles. Forgot to breathe. So many women, all of them laying, curling in on themselves, shivering and seeming to deteriorate under his gaze. A few were asleep, but they might have been dead for all the boy knew. In one cell there were two women and they held each other, one sobbing silently onto the other’s chest until their shared blanket shuddered and slid down her back. He stiffened. Did women bleed the same color as men? Her skin was so pale, even under the glow of the lantern, that it didn’t seem possible for red to lie beneath.
     “Don’t get too excited. They’ll all be naked when they come to you.” Roy Kim touched the boy’s shoulder and squeezed hard. It was not enough to bring him back from the shadowy clefts of the woman’s shoulder blades.
     “So you’ve made your decision,” Roy Kim said and the boy’s guts churned.
     “No.” He shrugged away from his mentor and went further down the corridor until the lantern light became an echo and darkness returned to obscure the outlines of breasts and devour provocative shadows. Later he would wonder why so many of the prisoners of North City were women and he would punish himself for the things he had felt while looking at them.
     Where were all the boys? Still in the arena and dying without any help from him. There were a few men in the dungeon, but they were old and beaten down, upsetting to look at and unthinkable to kill. Finally he came upon a male prisoner who possessed an air of life about him. Finally here was something the boy could snuff out. The man sat cross-legged at the back of his cell with his blanket draped over him like a cloak. As the boy drew nearer, the man rolled his muscle swollen shoulders, dropping the blanket, revealing a powerful thickness that the dungeon’s atmosphere had yet to extinguish. Cloaked in shadow now, the man seemed gigantic, his neck like a bundle of sticks all knotted and firm, his body like an animal’s covered in thick patches of hair which shone golden even in the darkness. He watched the boy and bristled. Pick me, he said with his eyes. Pick me and I’ll make you bleed before the end. It was exactly what the boy wanted. He stood before the cell and gripped the freezing bars.
     “This one.”
     “Not him,” Roy Kim said.
     The boy’s warm flesh made an awful sound when he ripped his fingers from the steel and turned to face his mentor. “But you told me to pick someone.”
     “Yes. Someone to kill. Not to fight. You’re going about this all wrong.” He frowned and looked away a moment, a single calloused fingertip stroking at an eyebrow, grooming it compulsively. He probably didn’t even realize he was doing it. There were volumes of wisdom within Roy Kim’s black irises and, as he looked upon his pupil once more, they swallowed the boy entirely and left no room for understanding. The boy was used to it. This world was too dark for some kinds of knowledge.
     “This was you’re idea in the first place,” the boy said and pressed his hands together, rubbing them, warming them. He glanced in at the prisoner and read disappointment in his ruffled golden fur. There had been a silent promise made between them and now it lay broken for reasons neither of them understood. Stalking along the cells, now, the boy searched for a sacrifice to appease the Lord, but he was Cain and the only thing he had to offer was rotting fruit.
     “Him,” he said at last and pointed to a male not much older than himself. At first glance it had been difficult to tell the sex of the shivering thing in the corner, but the hair was short and the limbs were long. It was too gangly to be a girl. And too sickly to put up a challenge. Filthy bangs hid the thing’s pale face. A single red rimmed eye looked out from the matted locks, and it held no resistance. Just fear. Surely Roy Kim could see that. Or not.
     “You really don’t get the point of this,” his mentor sighed.
     “Why? What’s wrong with this one?”
     “Look at him.” Roy Kim gripped his pupil’s arm and pressed him close to the bars. “Look at his hands.”
     “I’ve killed lots of boys who were missing fingers,” he said, “the arena was full them.” Counting on impulse, he saw that this particular boy was down to five digits between both hands and none of these were thumbs. He eased Roy Kim’s fingers from about his arm and then took a step back to regard his mentor. “You told me to pick and I did. I’m done playing this game.”
     “This boy is a shell,” Roy Kim said, “He wants to die.”
     “Then I’ll help him along.”
     “No,” he said, “that would be mercy and it’s not your place to show mercy. You are not God. You’re not the Luminary. Mercy is for them to decide. You are just a tool through which their mercy might be carried out. You kill. Do you understand? You don’t pick fights. You don’t sympathize. You don’t give them what they want. You just kill. And that’s what I want you to do tonight. But if it’s that too difficult a task for you, I can always find another arena boy to train. ”
     The boy swallowed hard and stared at his feet. His throat filled with fire and his fingers twitched until they’d curled like dead spider legs retracting toward the palm with each jerk until he’d made two fists. Useless fists. When he’d been a fledgling in the arena, his mentors had told him that humiliation was a greater teacher than failure and this became the basis of their curriculum. He had survived in the end and he supposed they were right. Roy Kim, however, rarely resorted to such tactics and the infrequency with which they had been employed acted like a whetstone, sharpening the words so that they could peel the boy’s flesh in just a few short stabs. For a moment he was naked, an equal to the condemned in their cells. In that moment, he hated his mentor. Everything was a lesson. Everything was a test. The boy couldn’t even cut his meat without black eyes on him, watching and sizing up the motion of his wrist. Lesson, lesson, lesson was exhausting on the best of days and just then, in the dungeon, it was excruciating.
     And what was the lesson? This wasn’t the first time Roy Kim had spoken harshly to him, but it was the first time he’d been so blatantly spiteful, and the first time there had been an audience. Perhaps that was the lesson. A reminder that from now on there would be no privacy. There would be eyes looming over every failure and reprimand. It was the arena all over again, but worse, because now there were rules.
     “There won’t be any other boys,” he said and met his mentor’s gaze. “I’m the only one. It has to be me.”
     Roy Kim’s brow pursed a moment and he nodded. “Pick someone.” It was a quiet command, almost a plea.
     The boy walked back to the cell with two women inside. He kept his face, working his jaw, as he pointed to the crying girl. No one spoke and yet the echoes of the dungeon, the trapped screams now part of the shoddy mortar walls, deafened him. Roy Kim produced a master key from his pocket and entered the cell. He grabbed the girl’s arms and pulled her from her cellmate’s clinging arms, pulled her from the threadbare blanket. She screamed and writhed, dropping down to her knees, going limp.
     “I’m pregnant!” She cried. Roy Kim didn’t seem to hear. He gripped her wrists and dragged her free of the cell, laid her at the boy’s feet, then went back and locked the door. The boy stood there, head throbbing under the uneven rhythm of her terror, a sort of horrid mixture of panting, wheezing, gulping, and choking.
     “Please,” she said, “please. It was a small crime. A small fee. My husband is going to pay it.” Her arms wrapped lovingly about his ankles and she buried her face to his boots, crying on them, wetting the leather. “He’s coming tomorrow. I’ll be a free woman tomorrow. Please.”
     “Is that true?” The boy looked to his mentor.
     “It is! I swear it,” the woman bawled.
     “People will say anything. You can never allow yourself to believe it.”


My first packet for this semester was due yesterday.  So far I've read six novels and am working on two more at the moment.  Writing has come slowly lately and this segment was hard fought for!  For an example of my critical writing check out the Detangled Writers entry.  

Saturday, January 5, 2013

Day Three in Boston - Dystopia and Vampires

This morning I awoke at an ungodly hour and tramped my way over to the student center for a danish and coffee, then I went searching for a place to call home for a few moments so that I could work on making notes on my classmates' workshop pieces.  On my way to the allegedly haunted Moncreif Building I saw three plump, grey squirrels playing tag (or perhaps it was keep away) in the tall, tall pine trees.  I stopped and enjoyed them for a while and then went on my way.  This place is wonderful for things like that - we're so secluded and private and filled with nature.

Workshops went well today and my synopsis is up tomorrow.  I am nervous but after I revise it some tonight I think I'll be ready.  The rest of the day went quickly.  It was filled with Craft Analysis class and 'The Future Now: Dystopia.'  I do not have a 'shut up button' and sometimes I wish I did; between Marilyn and I, we monopolized all the conversation in that class.  I think I could talk to her for hours and we'd never run out of things to say.  I'm enjoying her company immensely, as well as the company of the rest of my fiction group.  There are also some Poetry and Young Adult writers that I have come to seek out in the dining hall and stalk about the campus always eager for an audience with their awesomeness.  Such a feeling of family here.  I only really feel alone at night because I have no roommate, nor a Hannah.  Not even any kitties to keep me company.  But I'm surviving.

I purchased three books today and am eager to snag a few more before I leave.  These are the novels that the teachers and staff here have published and they all look so amazing that I'm really torn as to which I can justifiably leave with.  I may grab some more via Amazon at a later date but if I purchase them here I get the luxury of having the author him/herself sign the copy for me and there's something wildly exciting about that.  I love signed copies of things.

In other news, I am exhausted!  I hope to get some good sleep in tonight.  I'll be putting up my notes from the Dystopian class on the Detangled Writers Blog either tonight or in the morning.  For now, just wish me luck as I'm about to have my poor little vampire quite crucified on the workshop table tomorrow.

Monday, September 17, 2012

The Pocket Muse by Monica Wood

I recently came across a neat little book.  The Pocket Muse: Ideas and Inspiration for Writing by Monica Wood is everything that the title advertises.  In addition to having a variety of creative writing prompts, style suggestions, helpful quotes, relevant anecdotes and words of encouragement, it has a fun format that makes it accessible to someone as scatter brained as myself.  I will be sharing many of the writing exercises contained within the book through the Detangled Writers blog, but there was something I read tonight that I wanted to share here.
Don't write to hurt. Understand that a line exists between your story and somebody else' privacy. This line is zigzaggy at best, and it takes a clear eye to follow its path. Writers have the right to write. We know this. But there's a difference between writing to purge and writing to illuminate.
I have known a couple of people who wrote for revenge; as far as I can tell, publication didn't make them feel any better. Of course the worst part is that vengeful writing usually isn't good; that's what personal journals are for, to college that bad, small, narrow-eyed writing and keep it private.  
If you are embarking on a piece of writing you believe you'll have to shield from certain readers - a family member, a former friend, an erstwhile lover - think it through before beginning. My advice is to wait six months. There are so many other things to write!  If in six months the story is still lodged within your gut, that's probably a sign that the story needs writing. But be careful.
Wood, Monica. The Pocket Muse: Ideas and Inspirations for Writing. Cincinnati, Ohio, 2002
This got me to thinking mainly about Facebook and how it has become nothing more than a battleground of volatile mud slinging all under the guise of innocent social networking.  I don't like propaganda on Facebook.  I don't like the attacks on political beliefs, slams on sexual or gender orientations, and I loathe the volumes of religious and atheistic condemnations.  I don't like hate speech of any kind and I especially despise it on Facebook.  But it's not so much a personal preference as a deep founded belief that it does not belong there.  Put such content in private blogs and in personal journals, or talk to like minded people over the phone.  But please, do not write to hurt.  Even a simple status message.  And pressing 'share' is the same as writing it yourself.  It's tiresome and, just as Monica Wood stated, it's not good writing.

Tuesday, September 11, 2012

Goldberg Writing Exercise - I (Don't) Remember

This is a writing prompt by Natalie Goldberg, author of Wild Mind: Living the Writer's Life.  My response to this prompt is a free write based on the phrases 'I remember' and 'I don't remember.'  The writing time for each segment was 10 minutes with a break in between and is not intended as memoir or as story.  For more prompts like these and more information on writing in general please visit the Detangled Writers Blog.

***

I remember thinking that I would really like to kiss her and I felt some regret because I never did.  I remember that it was hot that summer and a little Chinese girl wanted to use me as a mattress and a pillow and I loved her dearly for it but found myself constantly trying to scoot away from her furnace like body so that I could catch a hint of the ever elusive Belgian breeze and maybe get some sleep.  I remember the lace capital of the world and I remember things that never even happened.  We climbed to the top of the cathedrals and sang out existence to the world and I recall that we did it all while drunk on Sangria.

I remember being there in the sixteen hundreds, my blood and sweat coating the rock before me as I scraped my fingernails back and tried to lift it just like my father had done, just like my son would do.  I remember looking at the mess that the architect told us would someday be a house of God and I thought to myself that he was mad.  I was godless, but employed and I was building a sanctuary to someone I didn't know.  My father had died when a pulley snapped and a net enclosed load of bricks plummeted down and crushed his skull.  I remember how it tasted - I was standing so close that his brains and flesh and blood spattered this way and that and covered my young face and filled my young mouth.  I'd never even tasted wine.  I remember that I didn't cry because it was raining and it's impossible to cry in the rain.

I remember that the Chinese girl sat the right of me, her legs on my lap and her head pressed to my shoulder, and the Japanese woman sat to my left, her hip and leg pressed firm to mine and I smiled happily and cried out to the rest of the van that I was happily squished in Asia.  I remember standing there at the end of the war, looking up at the large cathedral and crying.  I cried so hard that the rain was like a pittance compared to my tears that welled and flooded my eyes, my face, my shirt, the whole world.  I remember hearing the screaming of the women and children who had run to this place seeking sanctuary and who had found nothing but a tomb; theirs.  I remember thinking that 624 years was a long time, but ten minutes was even longer because in that horrible moment when the side fell in and the roof crumbled and crushed those who had worshiped under it a thousand times before, it all moved in slow motion.  Taking eons to fall as I stood there watching and crying, my own life pouring out of me from where a bayonet had met my belly.  I saw my beautiful church become a murderer.


I don't remember anything after it happened.  Some people get drunk and do stupid shit and use the excuse that they don't remember as a way to justify their idiocy but for me it's the opposite.  I don't remember the morning after, I don't remember waking up next to him, don't remember his name, but there are parts I know, rather than remember.  I know what he tastes like and what hour he was born.  I don't remember how I know it, but I do.

I don't remember when it happened, but something changed.  I don't remember why you left me when you did but I'm glad that you never came back.  I don't remember how painful it is to have a crush on someone for nearly three years and finally tell them you love them only to have them spit on your face and tell you that they don't swing that way.  I don't remember anything like that.  I don't remember the time I nearly drowned.  My parents told me about it, about how Dodi rushed into the little forging river (I don't remember, it may have been a stream) and dragged me from the frothy water to the safety of shore (I don't remember she may have just nipped at me until I got out of the water).  I don't remember getting my wisdom teeth out and I don't remember the second Harry Potter book at all, just that there was a snake and there were spiders.  I don't remember chutes and ladders - not even once.  I don't remember everyone who was at that Halloween party with the black candles and the Children of the Corn, but I have a very vivid memory of 'Amanda is bad' leaping out of the Ouija board and making everyone look at me as if I were some kind of murderer.

I don't remember space travel.  I wish I did.  It's been years and years since my arrival on this planet and sometimes I don't even remember my real name and my real form.  I see a girl in the mirror, sometimes a boy, and I make words with my mouth but I don't remember the old words and the old ways and the smell of my people when they gathered in the divine hall.  I don't remember that anymore.  I thought I could close my eyes and see the skin - I don't remember the color - and that I could hear their voices - I don't remember how it sounded - and I thought that I could bring it all back one of these days but that was another life in another time and it is not me anymore.

I don't remember the point.  Half of it is real; half of it is unreal and I'm caught between hating and loving and feeling hopeless and feeling outlandishly confident.  I don't remember if I took my medicine.  I don't remember if I said 'I love you' to the people who needed to hear it last night.  I don't remember to brush my teeth as often as I should and I feel bad because I just had them cleaned not long ago and sometimes when I eat sugar, the teeth hurt.  I don't remember the last time I felt really and truly useful and productive.  I don't remember the last time she smiled and meant it.

Amanda LaFantasie © September 2012

Wednesday, August 29, 2012

Five Minute Free Write... on Pussy *cough* Cats

As per Dani's prompt: a five minute free write based on the phrase "I can't understand the ways of a cat," I give to you a short exploration of the things I think about when I think about the kitties.

They are fucking disgusting!  They are the filthiest, nastiest creatures I've ever seen in my life.  I love them muchly to be sure, but that doesn't mean that they aren't gross beyond measure.  Poop cruts hanging off their fur as they hop up onto your lap or onto your fucking pillow!  Spasmodic coughing fits that produce hairballs and fluid of varying staining quality.  And kitty litter in the bed, always in the bed!  They lick their genitals for hours and hours and then, in the case of Ellie, they come over and cuddle up to you and lick your face.  They stick their kitty feces tainted paws on your mouth and do all these cute things so that you make sure to touch their nasty little bodies.  And they lick your ice cream and if you're Hannah, you shrug and continue eating.  I'm even getting this lax now, thank you very much, you wicked, patience obliterating, balls of fur.  But none of this is as bad as the mewling because they want more food and the bowl is already half full - so you give them more food and they scarf it down quickly and then promptly find the nearest electronic device that you cherish and they puke on it.  Hannah's cell phone was one such victim.  Computers, cords, remotes... you name it and they'll puke on it.  They puke in the bed.  And with kittens sometimes they even pee in the bed.  They're marking you because they love you.  No.  That's bullshit.  They're peeing in the bed because they are assholes and they are gross.

Believe it or not, I'm a complete cat person, but I stand by my reasoning that they are deceptively filthy.  Everyone thinks they are so clean and so easy to deal with, but what they don't tell you is that cats are liars.  Cats are beautiful and graceful (some of them) and they seduce you.  They are the prize wife that you marry so that you have a gem to parade around on your arm, but shortly after the nuptials you discover that she belches and farts and scratches her crotch.  All I'm saying is, don't be taken in by the 'cute;' they are just as nasty (and lovable) as any dog or younger sibling.  That is all.  On a positive note, Purina One (a recent food change) has all but cured our disgusting little babies of their puking, so there's that at least.

Amanda LaFantasie © August 2012

Tuesday, August 28, 2012

Address Book & Goals

One of my goals as per the Detangled Writer's blog, is to write more letters and revive my ability to make words using pen/pencil and paper.  In an effort to make this goal a bit easier, I am going to compile a list of updated addresses of all of my friends who I keep in touch with and who would enjoy a hand crafted card with various little updates contained within.  This is a goal that I am going to try and accomplish today in conjuncture with the goal of purchasing 'Poets and Writers' at Hastings and narrowing down my MFA search to about five or so.

Also today is a day for crafts.  The plan is to put in some movies or listen to music and go to work making Holiday (Autumnal and Halloween and Birthday) cards.


Death in the Bathroom

There was the spider first.  He was little and black and by the time I arrived to the scene of the crime it was too late.  Mom has squished him and his crime, beyond that of being a spider in the first place, was that he was in the bathtub, trespassing as it were, in the territory in which she intended to make use of.  Mom needed a shower.  But why did the arachnid have to die?  He was so little.  Maybe he was full grown, maybe he wasn't, but we'll never know that now.  And maybe he was even smaller than I can fathom as his squished state made him all the larger with bits and pieces pressed here and there, his innards pressed outside his body and his legs spread long and splayed out in the submission of death.  Poor little thing didn't have a chance and shortly after his squishing he was wiped up unceremoniously with a square of toilet paper and flushed.  There was no circle of life for him, just death in the bathroom.  He was just a casualty of humanity.  Oh, humanity.

I won't lie.  I've killed my fair share of spiders, but I've saved more than I've killed.  I give them a fighting chance.  Same with all the bugs.  I scoot the earwigs out onto the patio, I shoo the moths and butterflies (have we ever had a butterfly inside the house, I wonder) out through the door, and I scoop out with cup and paper plate each and every hairy spider that Hannah or my mother, inevitably, discover.  Sometimes ignorance truly is bliss.  If you don't notice the spiders and the little beetles when they make their random and rare appearances then you don't go through the panic and the fits and the screaming wildly for your daughter, your girlfriend, your father, your uncle, any passing good Samaritan with a cup or paper towel or - grotesquely enough - a shoe to come and end your torment.  Ignorance is bliss.  But when you look down into the tub and see the little black spider, ignorance is not an option and that is why there was a death in the bathroom.

Amanda LaFantasie © August 2012


This was a 10 minute free write based on 'Death in the bathroom.'  It is one of the prompts from the Detangled Writers blog.  Please forgive any errors; I am not going to edit it, as it is a stand alone exercise.